COREA-DANZAS FEMENINAS TRADICIONALES Y DANZA MODERNA
SAMGO MU- DANZA COREANA DEL TAMBOR- 6.33 MIN
Samgo-Mu (Korean Drum Dance)- 6.33 MIN
Samgo-Mu is a traditional Korean
drum dance which is here performed at the Chongdong theatre in Seoul South
Korea.
This is from the DVD I picked up while attending a performance a little over a year ago. True Beauty and Elegance in harmony. Perfection in both sight and sound.
This is from the DVD I picked up while attending a performance a little over a year ago. True Beauty and Elegance in harmony. Perfection in both sight and sound.
Korean Traditional Drum Dance-6.07 min
Flauta y tambor- danza, melodía suave bonita
New year celebration of dance and
music 2008"
from Los Angeles, California.
"Korean modern-traditional music and dance"
Music composed and film produced by Doppo Nagata ( Soul of Japan and beyond).
Choreographed by Soo Hyang Lee (Soo Hyang Lee dance academy in Torrance, California)
We are looking for dancers for collaboration.
Dancers: Kye Sum Kim, Young Sil Kuark
Janggu drum; Soo Hyang Lee
Film edited by Robert Schulze
Tune title: Great Asia (Drum Dance)
from Los Angeles, California.
"Korean modern-traditional music and dance"
Music composed and film produced by Doppo Nagata ( Soul of Japan and beyond).
Choreographed by Soo Hyang Lee (Soo Hyang Lee dance academy in Torrance, California)
We are looking for dancers for collaboration.
Dancers: Kye Sum Kim, Young Sil Kuark
Janggu drum; Soo Hyang Lee
Film edited by Robert Schulze
Tune title: Great Asia (Drum Dance)
Coments-I have never
seen such a dance style before. So peacefully,lovely and joyfully
expression of the music and the dancers and the choreography...awsome! Also the
costumes are nice! They make it look so easy i know it is difficult to perfoorm
also i wonder if the drum are heavy and so that make the dance also more
difficult apart from the choreography and the music....i love it. Thank you for sharing-impresionantemente bueno. No sabía que hubiera este tipo
de música en Korea. Habrá que investigar más las diferentes culturas musicales
SALPURI - DANZA
COREANA EXORCISTA PARA AYUDAR AL ESPIRITU
A ABANDONAR EN PAZ AL CUERPO DEL FALLECIDO..
(KOREAN SHAMANIC DANCE)- 5.10
MIN
Coments-While salpuri is a part
of Korea's shamanism, it should be translated as "exorcism" dance. It
is done to appease/placate spirits/souls
who can't let go of this world and send them to the other world. What a perfect
balance of control and grace. Her hands! I've never seen anything like it.- korean salpuri shaman dance is to relieve the dead
from haunting the living souls. created centuries if not a thousand years ago
GANGANSULE- DANZA TRADICIONAL COREANA—4.58 MIN
Inicio puede durar toda la noche…y
van moviéndose en cÍrculo más rápido.
EXTRACTO GANGANSULE MOVIMIENTOS MÁS RAPIDOS EN CIRCULO-
27 SEG
Chuseok Celebration Performance at NCKTPA-Ganggangsullae(1)
The Folk Dance: Ganggangsullae... Ganggangsullae is a folk dance usually
performed in the southern shore area on Hangawi day. Females usually
participated in this dance in a way of finding bodily freedom and of escaping
from all the restrictions in the past. The dance movements are simple; making
circular motion, but the dance is also artistic. As the musical changes, the
formation of dance changes frequently as well. Also, the dance shows the sound
mind and sound body of Korean women.
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GANGGANSULLAE- DANZA TRADICIONAL DE MUJERES COREANAS- 10-07
MIN
Subido el 25/09/2009 – DOCUMENTAL- UNESCO
UNESCO: Representative List of the Intangible Cultural Heritage of
Humanity - 2009
URL: http://www.unesco.org/culture/ich/RL/...
Description: Ganggangsullae is a seasonal harvest and fertility ritual popular in the south-western part of the Republic of Korea, performed primarily on Koreas Thanksgiving in the eighth lunar month. Under a bright full moon, dozens of young, unmarried village women gather in a circle, join hands and sing and dance all night under the direction of a lead singer. During interludes, the women playfully mime vignettes reflecting life in a farm or fishing village, including treading on roof tiles, unrolling a mat, catching a mouse or tying herrings. The dance takes its name from the refrain repeated after each verse, although the exact meaning of the word is unknown. Once a rare break from restrictive rules governing the behaviour of rural young women who were not allowed to sing aloud or go out at night, except during the ''Chuseok'' Thanksgiving celebration, the ritual is mostly preserved today by middle-aged women in cities and taught as part of the music curriculum of elementary schools. Now practised as a performing art throughout Korea, it can be seen as a representative Korean folk art. It is an important hereditary custom drawn from the rice culture that pervaded daily life in the countryside. The easy tunes and movements can be learned quickly for this communal practice that contributes to harmony, equality and friendship among the women dancers.
Country(ies): Republic of Korea
© 2008 by Cultural Heritage Administration
URL: http://www.unesco.org/culture/ich/RL/...
Description: Ganggangsullae is a seasonal harvest and fertility ritual popular in the south-western part of the Republic of Korea, performed primarily on Koreas Thanksgiving in the eighth lunar month. Under a bright full moon, dozens of young, unmarried village women gather in a circle, join hands and sing and dance all night under the direction of a lead singer. During interludes, the women playfully mime vignettes reflecting life in a farm or fishing village, including treading on roof tiles, unrolling a mat, catching a mouse or tying herrings. The dance takes its name from the refrain repeated after each verse, although the exact meaning of the word is unknown. Once a rare break from restrictive rules governing the behaviour of rural young women who were not allowed to sing aloud or go out at night, except during the ''Chuseok'' Thanksgiving celebration, the ritual is mostly preserved today by middle-aged women in cities and taught as part of the music curriculum of elementary schools. Now practised as a performing art throughout Korea, it can be seen as a representative Korean folk art. It is an important hereditary custom drawn from the rice culture that pervaded daily life in the countryside. The easy tunes and movements can be learned quickly for this communal practice that contributes to harmony, equality and friendship among the women dancers.
Country(ies): Republic of Korea
© 2008 by Cultural Heritage Administration
korean traditional court dance
chun eng zon- 9.25 min
Coments-This chun aeng moo was made by the crown
prince hyomyeong for the queen who was
his mother.
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Korean Temple Music 김영동-귀소 [Audio]-5.17
min
Kim
Youngdong- flauta y cuerda
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PerformArts M _ The Bereishit Dance
Company 人_ de Corea del Sur
Balance & Imbalance- 11 MINUTOS
Danza moderna con tambores
Publicado el 23 may. 2016
Korea's Dance Company
The
Bereishit Dance Company hopes of highlighting the beginning of everything and
offering new sensations using uncomfortable and strange elements. Through the
piece "人_Balance &
Imbalance," they depict dynamic and uncomfortable relationships where
people have to adjust to each other, as opposed to calm and settled
relationships, as well as the harmony between sound and body movements.
Visit
‘Arirang Culture’ Official Pages
Homepage:
http://www.arirang.com
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Danza china-Thiên Thủ Quan Âm (Thousand Hand Guan Yin)- 5.55 min
Las mil manos de Guanin
o bodisatwa de la gran compasión- guanyin
en chino. Bodisatwa representa el aspecto
compasivo del Buda o persona despierta. Se dice que cuando Sidharta se iluminó,
se convirtió en el Buda o despierto, y
al ver el sufrimiento del mundo prometió no liberarse hasta que el ultimo de
los seres sufrientes no despertara a su verdadera naturaleza. Los Bailarines son sordos y personas atrás les indican con movimientos cómo sincronizarse con la música.
Thousand Hand Guan Yin was a dance created by Chinese choreographer
Zhang Jigang. This dance was performed by 63 deaf dancers of China Disabled
People's Performing Art Troupe. Because they could not hear the music, there
were 6 directors in white cloths helping them synchronizing with the music.
This dance described the legend that Bodhisattva Guan Yin has one thousand
hands. Bodhisattva is a Proto-Buddha. She can not become a Buddha because she
is still attached to this world. Her vow: If there is still a single drop of
tear in this world, I will not become a Buddha.
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