LAS ARIAS
MAS HERMOSAS PARA SOPRANO Y MEZZO-SOPRANO
ANNA NETREBKO- 18 SEPT 1971
Barcarolle - Anna Netrebko & Elina Garanca - Offenbach Barcarola-3.37
min
Actualizado el
22/10/2010
Anna Netrebko &
Elina Garanca - Offenbach Barcarola.
Barcarolle d'Offenbach, par Anna Netrebko
(soprano) et Elina Garanca (mezzo-soprano).
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Flower duet - Anna Netrebko & Elina Garanca (Lakmé de Delibes).7.08
min
Lakmé,
Flower duet (Duetto) by Léo Delibes : Viens, Mallika... Dôme épais le jasmin.
Anna Netrebko (soprano).
Elina Garanca (mezzo-soprano).
Baden-Baden Opera Gala 2007.
Duo des fleurs
Elina Garanca (mezzo-soprano).
Baden-Baden Opera Gala 2007.
Duo des fleurs
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Anna Netrebko - "Pie
Jesu"-3.45 min
Actualizado el 3/12/2008
Publicado
el 11/5/2012
Anna Yuryevna Netrebko (Russian: Анна Юрьевна Нетребко, ; born 18 September 1971) is a Russian
operatic soprano.
She
now holds dual Russian and Austrian citizenship and currently resides in
Vienna. She has been nicknamed "La Bellissima" by fans.
Anna
Netrebko's stunning recording of the Andrew Lloyd Webber "Pie Jesu"
from his Requiem Mass. Recorded for her new album "Souvenirs" Anna
duets this gorgeous piece of music with Andrew Swait.
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Grieg Solveig Song-Anna
Nestrebko-5.02 MIN
Publicado
el 11/5/2012
Anna Yuryevna Netrebko (Russian: Анна Юрьевна Нетребко, ; born 18 September 1971) is a Russian
operatic soprano.
She now holds dual Russian and Austrian
citizenship and currently resides in Vienna. She has been nicknamed "La
Bellissima" by fans
---------------------------------------------------------------------------------------------.
Anna Netrebko sings
"Solveig's Song" by Edvard Grieg-5.01 min
Edvard
Hagerup Grieg (1843-1907)
Solveigs sang op. 23 n°19 (Solveig's Song - Solveigs Lied - Chanson de Solveig) from "Peer Gynt"
text: Henrik Ibsen (1828-1906)
Anna Netrebko, soprano
Prague Philharmonia
Emmanuel Villaume, Conductor
Solveigs sang op. 23 n°19 (Solveig's Song - Solveigs Lied - Chanson de Solveig) from "Peer Gynt"
text: Henrik Ibsen (1828-1906)
Anna Netrebko, soprano
Prague Philharmonia
Emmanuel Villaume, Conductor
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Ave Maria - Anna Netrebko as Desdemona in Verdi's Otello-5.17 min
Actualizado el 22/2/2010
Anna Netrebko's fabulous and unique rendition of Verdi's "Ave
Maria" from Otello ( CD: Sempre libera 2004, Deutsche Grammophon ) Claudio
Abbado and the Mahler Chamber Orchestra are excellent, too.
Anna has the voice of an angel and is capable of expressing her deep and true emotions through her phenomenal voice. She exactly knows the anguish of mind having lost a beloved member of her family recently ( 2 years prior to the recordings )
Anna's pure, crystalline and colourful bel canto singing leaves me stunned every time I listen to it and the whole world should be deeply grateful to "have" her.
Anna has the voice of an angel and is capable of expressing her deep and true emotions through her phenomenal voice. She exactly knows the anguish of mind having lost a beloved member of her family recently ( 2 years prior to the recordings )
Anna's pure, crystalline and colourful bel canto singing leaves me stunned every time I listen to it and the whole world should be deeply grateful to "have" her.
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Anna Netrebko - La Bohème (Quando me'n vo') de Puccini-3.50 min
Actualizado el 4/10/2010
Anna Netrebko (Soprano)
La Bohème (Quando me'n vo') de Puccini
Concert de gala pour les 300 ans de Saint-Pétersbourg
La Bohème (Quando me'n vo') de Puccini
Concert de gala pour les 300 ans de Saint-Pétersbourg
Gala
Concert 300 years of St. Petersburg
St. Petersburg Philharmonic Orchestra (Yuri Temirkanov & Nikolai Alekseev)
St. Petersburg Philharmonic Orchestra (Yuri Temirkanov & Nikolai Alekseev)
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The Best Of Anna Netrebko
(Full Album)-73 min
Publicado el 9/12/2013
Soprano: Anna Netrebko
Album; The Best Of Anna Netrebko
Year; 2009
Tracklist:
01 O Mio Babbino Caro 00:00
02 Quando Men Vo 02:42
03 Dome Epais le Jasmin (Flower Duet) 05:18
04 Deh Vieni Non Tardar 10:24
05 La Ci Darem la Mano 13:51
06 Ardon Gli Incensi (Mad Scene) 17:12
07 Casta Diva 22:15
08 Lied an den Mond 28:02
09 Libiamo ne Lieti Calici 33:03
10 Meine Lippen, die Kussen so Hei? 36:09
11 Ma Qual Mai... Fuggi Crudele 41:50
12 Si, Mi Chiamano Mimi 48:04
13 O Soave Fanciulla 53:24
14 Belle nuit, o Nuit D'amour 57:32
15 Solvejgs Lied 01:00:07
16 Addio del Passato 01:03:51
17 Eccomi... Oh! Quante Volte 01:09:34
Album; The Best Of Anna Netrebko
Year; 2009
Tracklist:
01 O Mio Babbino Caro 00:00
02 Quando Men Vo 02:42
03 Dome Epais le Jasmin (Flower Duet) 05:18
04 Deh Vieni Non Tardar 10:24
05 La Ci Darem la Mano 13:51
06 Ardon Gli Incensi (Mad Scene) 17:12
07 Casta Diva 22:15
08 Lied an den Mond 28:02
09 Libiamo ne Lieti Calici 33:03
10 Meine Lippen, die Kussen so Hei? 36:09
11 Ma Qual Mai... Fuggi Crudele 41:50
12 Si, Mi Chiamano Mimi 48:04
13 O Soave Fanciulla 53:24
14 Belle nuit, o Nuit D'amour 57:32
15 Solvejgs Lied 01:00:07
16 Addio del Passato 01:03:51
17 Eccomi... Oh! Quante Volte 01:09:34
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OPERA-ARIAS-
MARIA CALLAS
Maria Callas, Caro nome - Rigoletto - G.Verdi –
1955- 7.37 Minutos
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Maria Callas - L'amour est un oiseau rebelle –
Habanera - Carmen – Bizet- 4.05
min
Actualizado el
30/10/2008
Maria Callas
- L'amour est un oiseau rebelle -
Habanera
Georges Bizet
Carmen
- L'amour est un oiseau rebelle -
Habanera
Georges Bizet
Carmen
Voz
tremenda, con Fuerza, emoción, pasión ,
entrega, sinceridad… totalmente en el momento presente,
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"Au fonds du temple saint" de el cazador de perlas. G. Bizet
(subtítulos en español)-4.40 min
Actualizado el 25/3/2010
"Les pêcheurs de
perles" (G. Bizet). Tenor: Jussi Björling; barítono: Robert
Merrill. RCA
Vicor Symphonic Orchestra (reg. Cellini).
Imágenes: Panoramio, National Geographic, otros.
Imágenes: Panoramio, National Geographic, otros.
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Telemann -
Cantata "Seele, lerne dich erkennen" TWV1:1258-10.31 min
GEORG PHILIPP
TELEMANN (1681-1767)
Cantata "Seele, lerne dich erkennen" for soprano, recorder, and basso continuo TWV1:1258
1. Air - "Seele, lerne dich erkennen"
2. Recitative - "Ein Vogelchen, dem noch die Glieder zu zart und weich"
3. Air - "So will ich dich mit Freuden kussen"
Performed by Ensemble Caprice
Featuring Monika Mauch
Directed by Matthias Maute
Cantata "Seele, lerne dich erkennen" for soprano, recorder, and basso continuo TWV1:1258
1. Air - "Seele, lerne dich erkennen"
2. Recitative - "Ein Vogelchen, dem noch die Glieder zu zart und weich"
3. Air - "So will ich dich mit Freuden kussen"
Performed by Ensemble Caprice
Featuring Monika Mauch
Directed by Matthias Maute
"Recitative: Ein Vogelchen, dem noch die Glieder zu zart und
weich", de Mauch, Monika, Monika Mauch (Google Play • eMusic--------------------------------------------------
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TELEMANN - CANTATE DE NOEL " Siehe ! Ich
verkündige euch " ( 1761 )- 17.08 minutos
Georg
Philipp TELEMANN ( 1681-1767 )
Cantate de Noël " Ich verkündige euch grosse Freude " ( 1761 )
Constance Backes, Andreas Post, Klaus Mertens
Kammerchor Michaelstein
Telemann-Kammerorchester Michaelstein
Direction Ludger Rémy
Cantate de Noël " Ich verkündige euch grosse Freude " ( 1761 )
Constance Backes, Andreas Post, Klaus Mertens
Kammerchor Michaelstein
Telemann-Kammerorchester Michaelstein
Direction Ludger Rémy
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Telemann
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Pergolesi - Stabat Mater - Talens Lyriques (Complete)-41
MINUTOS
Actualizado el 8 de oct. de 2011
This (complete) performance of Pergolesi's
"Stabat Mater" is from a concert given at Saint Denis on June 23rd
2009 by Les Talens Lyriques conducted by Christophe Rousset. The soloists were
Sabina Puertolas (Soprano) and Vivica Genaux (Mezzosoprano).
Note on the second piece of music in this video.
The 'encore' is the the 'Fac me' from Pasquale Cafaro's setting of the Stabat Mater. A complete performance of which has very kindly been uploaded by Raimondo di Sangro, you can hear it here:
http://www.youtube.com/watch?v=WpHhKF...
It's a rather lovely setting that is well worth spending time listening to and I urge you to do so,
mfi
Stabat mater
Stabat mater dolorosa
Iuxta crucem lacrimosa,
Dum pendebat Filius.
Cuius animam gementem,
Contristatam et dolentem,
Pertransivit gladius.
O quam tristis et afflicta
Fuit illa benedicta
Mater unigeniti.
Quae moerebat et dolebat,
Pia mater, cum videbat
Nati poenas inclyti.
Quis est homo, qui non fleret,
Christi matrem si videret
In tanto supplicio?
Quis non posset contristari,
Christi matrem comtemplari
Dolentem cum Filio?
Pro peccatis suae gentis
Vidit Iesum in tormentis
Et flagellis subditum.
Vidit suum dulcem Natum
Moriendo desolatum,
Dum emisit spiritum.
Eia mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
Fac ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.
Sancta mater, istud agas
Crucifixi fige plagas
cordi meo valide.
Tui Nati vulnerari
Tam dignati pro me pati
Poenas mecum divide.
Fac me vere tecum flere,
Crucifixo condolere
Donec ego vixero.
Iuxta crucem tecum stare,
Et me tibi sociare,
In planctu desidero.
Virgo virginum praeclara,
Mihi iam non sis amara,
Fac me tecum plangere.
Fac, ut portem Christi mortem
Passionis fac consortem
Et plagas recolere.
Fac me plagis vulnerari
Cruce hac inebriari
Ob amorem Filii.
Inflammatus et accensus
Per te, Virgo, sim defensus
In die iudicii.
Fac me cruce custodiri
Morte Christi praemuniri
Confoveri gratia.
Quando corpus morietur
Fac, ut animae donetur
Paradisi gloria.
Amen.
English Translation
The mother was standing sorrowfully
next to the cross, tearful
as her Son was hanging.
Whose soul, groaning,
sad and sorrowful,
the sword has pierced through.
Oh, how miserable and afflicted
was that blessed
mother of an only Son.
She lamented and grieved,
the holy mother, when she saw
the pains of her glorious Son.
Who is the man that would not weep
were he to see the mother of Christ
in such distress?
Who would not be made sad
at the thought of Christ's mother
grieving with her Son?
For the sins of his people
she saw Jesus subjected to
torments and lashes.
She saw her sweet Son
dying, deserted
as he gave up his spirit.
O mother, thou fount of love,
make me feel the force of your grief
so that I may mourn with you.
Make my heart burn
with love for Christ the God
so that I may be reconciled with him.
Holy mother, grant this favour,
imprint the wounds of the Crucified
deeply within my heart.
Your wounded Son,
who deigned to suffer so much for me,
may he share his pains with me.
Let me truly weep with you,
and suffer with the Crucified
as long as I live.
To stand beside you at the cross
and join with you in lamentation,
is my desire.
O Virgin, pre-eminent among virgins,
do not be bitter towards me,
let me weep with you.
Let me bear the death of Christ,
let me share in his passion,
and contemplate his wounds.
Let me be wounded with his wounds,
intoxicated by the cross
and the blood of your Son.
Though I burn and am aflame,
may I be defended by you, O Virgin,
on the day of judgement.
Let me be protected by the cross,
fortified by the death of Christ,
strengthened by grace.
When my body dies,
let my soul be granted
the glory of paradise.
Amen.
Structure:
Much of the work's music is based on Pergolesi's setting of the Dies Irae. It's divided into twelve movements, each of which is named after its incipit.
1. "Stabat Mater Dolorosa" Grave, F minor, common time; duet
2. "Cujus animam gementem" Andante amoroso, C minor, 3/8; soprano aria
3. "O quam tristis et afflicta" Larghetto, G minor, common time; duet
4. "Quae moerebat et dolebat" Allegro, C minor, 2/4; alto aria
5. "Quis est homo" Largo, C minor, common time; duet
— "Pro peccatis suae gentis..." Allegro, C minor, 6/8
6. "Vidit suum dulcem natum" Tempo giusto, F minor, common time; soprano aria
7. "Eja mater fons amoris" Andantino, C minor, 3/8; alto aria
8. "Fac ut ardeat cor meum" Allegro, G minor, cut common time; duet
9. "Sancta mater, istud agas" Tempo giusto, C minor, common time; duet
10. "Fac ut portem Christi mortem" Largo, G minor, common time; alto aria
11. "Inflammatus et accensus" Allegro ma non troppo, G minor, common time; duet
12. "Quando corpus morietur" Largo assai, F minor, common time; duet
— "Amen..." Presto assai, F minor, common time.
Note on the second piece of music in this video.
The 'encore' is the the 'Fac me' from Pasquale Cafaro's setting of the Stabat Mater. A complete performance of which has very kindly been uploaded by Raimondo di Sangro, you can hear it here:
http://www.youtube.com/watch?v=WpHhKF...
It's a rather lovely setting that is well worth spending time listening to and I urge you to do so,
mfi
Stabat mater
Stabat mater dolorosa
Iuxta crucem lacrimosa,
Dum pendebat Filius.
Cuius animam gementem,
Contristatam et dolentem,
Pertransivit gladius.
O quam tristis et afflicta
Fuit illa benedicta
Mater unigeniti.
Quae moerebat et dolebat,
Pia mater, cum videbat
Nati poenas inclyti.
Quis est homo, qui non fleret,
Christi matrem si videret
In tanto supplicio?
Quis non posset contristari,
Christi matrem comtemplari
Dolentem cum Filio?
Pro peccatis suae gentis
Vidit Iesum in tormentis
Et flagellis subditum.
Vidit suum dulcem Natum
Moriendo desolatum,
Dum emisit spiritum.
Eia mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
Fac ut ardeat cor meum
In amando Christum Deum,
Ut sibi complaceam.
Sancta mater, istud agas
Crucifixi fige plagas
cordi meo valide.
Tui Nati vulnerari
Tam dignati pro me pati
Poenas mecum divide.
Fac me vere tecum flere,
Crucifixo condolere
Donec ego vixero.
Iuxta crucem tecum stare,
Et me tibi sociare,
In planctu desidero.
Virgo virginum praeclara,
Mihi iam non sis amara,
Fac me tecum plangere.
Fac, ut portem Christi mortem
Passionis fac consortem
Et plagas recolere.
Fac me plagis vulnerari
Cruce hac inebriari
Ob amorem Filii.
Inflammatus et accensus
Per te, Virgo, sim defensus
In die iudicii.
Fac me cruce custodiri
Morte Christi praemuniri
Confoveri gratia.
Quando corpus morietur
Fac, ut animae donetur
Paradisi gloria.
Amen.
English Translation
The mother was standing sorrowfully
next to the cross, tearful
as her Son was hanging.
Whose soul, groaning,
sad and sorrowful,
the sword has pierced through.
Oh, how miserable and afflicted
was that blessed
mother of an only Son.
She lamented and grieved,
the holy mother, when she saw
the pains of her glorious Son.
Who is the man that would not weep
were he to see the mother of Christ
in such distress?
Who would not be made sad
at the thought of Christ's mother
grieving with her Son?
For the sins of his people
she saw Jesus subjected to
torments and lashes.
She saw her sweet Son
dying, deserted
as he gave up his spirit.
O mother, thou fount of love,
make me feel the force of your grief
so that I may mourn with you.
Make my heart burn
with love for Christ the God
so that I may be reconciled with him.
Holy mother, grant this favour,
imprint the wounds of the Crucified
deeply within my heart.
Your wounded Son,
who deigned to suffer so much for me,
may he share his pains with me.
Let me truly weep with you,
and suffer with the Crucified
as long as I live.
To stand beside you at the cross
and join with you in lamentation,
is my desire.
O Virgin, pre-eminent among virgins,
do not be bitter towards me,
let me weep with you.
Let me bear the death of Christ,
let me share in his passion,
and contemplate his wounds.
Let me be wounded with his wounds,
intoxicated by the cross
and the blood of your Son.
Though I burn and am aflame,
may I be defended by you, O Virgin,
on the day of judgement.
Let me be protected by the cross,
fortified by the death of Christ,
strengthened by grace.
When my body dies,
let my soul be granted
the glory of paradise.
Amen.
Structure:
Much of the work's music is based on Pergolesi's setting of the Dies Irae. It's divided into twelve movements, each of which is named after its incipit.
1. "Stabat Mater Dolorosa" Grave, F minor, common time; duet
2. "Cujus animam gementem" Andante amoroso, C minor, 3/8; soprano aria
3. "O quam tristis et afflicta" Larghetto, G minor, common time; duet
4. "Quae moerebat et dolebat" Allegro, C minor, 2/4; alto aria
5. "Quis est homo" Largo, C minor, common time; duet
— "Pro peccatis suae gentis..." Allegro, C minor, 6/8
6. "Vidit suum dulcem natum" Tempo giusto, F minor, common time; soprano aria
7. "Eja mater fons amoris" Andantino, C minor, 3/8; alto aria
8. "Fac ut ardeat cor meum" Allegro, G minor, cut common time; duet
9. "Sancta mater, istud agas" Tempo giusto, C minor, common time; duet
10. "Fac ut portem Christi mortem" Largo, G minor, common time; alto aria
11. "Inflammatus et accensus" Allegro ma non troppo, G minor, common time; duet
12. "Quando corpus morietur" Largo assai, F minor, common time; duet
— "Amen..." Presto assai, F minor, common time.
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L'opéra imaginaire - Lakmé Delibes (Complete)-4.36 MIN
Actualizado el 29/5/2010
A part of the L'opéra imaginaire series - this segment features the aria
from Lakmé known as the Flower Duet.
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La donna è mobile - Opera Imaginaire - [HQ]-3.27 MIN
Publicado el 17/11/2012
extraits de "L'
Opéra Imaginaire" (1993)
aire : La donna è mobile - Rigoletto - Verdi
Bonne vidéo
aire : La donna è mobile - Rigoletto - Verdi
Bonne vidéo
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L’OPERA
IMAGINAIRE
Radio y televisión
francesa. Michel Redlich. 1993
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