Hildegard of Bingen, Kyrie & Pater Noster-2.29 min
Edad Media- canto gregoriano femenino
Hildegard von Bingen – Alemana-nace 1098 – muere 17 September 1179-
Abadesa Benedictina, mística cristiana, visionaria, compositora de dramas místicos, poeta, filósofa, escritora de textos teológicos, botánicos, matemáticos y médicos.
Hildegard of Bingen, Kyrie & Pater Noster-2.29 minHQ & Stereo:http://de.youtube.com/watch?v=Kq2uMP-...
Final prayers "Kyrie & Pater Noster" from the versper "o vis aeternitatis" at Abbey St. Hildegard.
Schola of the Benedictines Abbey St. Hildegard, Eibingen. Directed by Johannes Berchmanns Göschl and Sr. Christiane Rath OSB. Recorded 1997http://www.abtei-st-hildegard.de/
Film footage is sunset 24Jul08 at Presseck, Frankenwald, Germany
Final prayers "Kyrie & Pater Noster" from the versper "o vis aeternitatis" at Abbey St. Hildegard.
Schola of the Benedictines Abbey St. Hildegard, Eibingen. Directed by Johannes Berchmanns Göschl and Sr. Christiane Rath OSB. Recorded 1997http://www.abtei-st-hildegard.de/
Film footage is sunset 24Jul08 at Presseck, Frankenwald, Germany
Schlussgebete "Kyrie & Pater Noster" aus der Vesper "o vis aeternitatis" von Hildegard von Bingen, aufgenommen 1997 in der Benediktinerinnenabtei St. Hildegard, Eibingen.
Schola der Benediktinerinnenabtei St. Hildegard, Eibingen. Leitung: Johannes Berchmanns Göschl, Sr. Christiane Rath OSB
Filmaufnahmen:
Sonnenuntergang von 24 Juli 2008 in Presseck, Frankenwald.
- Música -"Revolution Wedding", de Producers With Laptops (Google Play • iTunes)
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Vision of Hildegard von Bingen-voice –solista-Hana Blochová-KVINTERNA-9 min
Painting picture and photos (kaleidoscope) report from
the meditation&contemplation with the choralhttp://image.mysteria.cz
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Hildegard of Bingen, Kyrie & Pater Noster-2.29 min
Hildegard von Bingen – Alemana-nace 1098 – muere 17 September 1179-
Abadesa Benedictina, mística cristiana, visionaria, compositora de dramas místicos, poeta, filósofa, escritora de textos teológicos, botánicos, matemáticos y médicos.
Edad Media- canto gregoriano femenino
Hildegard of Bingen, Kyrie & Pater Noster-2.29 min
Final prayers "Kyrie & Pater Noster" from the versper "o vis aeternitatis" at Abbey St. Hildegard.
Schola of the Benedictines Abbey St. Hildegard, Eibingen. Directed by Johannes Berchmanns Göschl and Sr. Christiane Rath OSB. Recorded 1997http://www.abtei-st-hildegard.de/
Film footage is sunset 24Jul08 at Presseck, Frankenwald, Germany
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Schlussgebete "Kyrie & Pater Noster" aus der Vesper "o vis aeternitatis" von Hildegard von Bingen, aufgenommen 1997 in der Benediktinerinnenabtei St. Hildegard, Eibingen.
Schola der Benediktinerinnenabtei St. Hildegard, Eibingen. Leitung: Johannes Berchmanns Göschl, Sr. Christiane Rath OSB
Filmaufnahmen:
Sonnenuntergang von 24 Juli 2008 in Presseck, Frankenwald.
- Música -"Revolution Wedding", de Producers With Laptops (Google Play • iTunes)
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Hildegard von Bingen - Kyrie Eleison-2.29 min
Solista. Catherine Braslavsky- Josepy Rowe
Disco Heavens- earth
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Hildegard von Bingen, O aeterne Deus-6.24 min
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Hildegard von Bingen – Alemana-nace 1098 – muere 17 September 1179-
Abadesa Benedictina, mística cristiana, visionaria, compositora de dramas místicos, poeta, filósofa, escritora de textos teológicos, botánicos, matemáticos y médicos.
Voice of the Living Light-77 minutos
Hildegard of Bingen.
Voice of the Living Light .
Hildegard of Bingen: healing and the nature of the cosmos.
01 O rubor sanguinis, antiphon for Saint Ursula & her companions.
02 Favus distillans, response for Saint Ursula & her companions.
03 Work(s).
04 Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions.
05 O ecclesia occuli tui, sequence for Saint Ursula & her Companions.
06 Misc. instrumental Pieces associated with Hildegard recordings.
07 O eterne Deus, antiphon.
08 O dulcissime amator, sinfonia for the virgins.
09 Rex noster promptus est, response for the Holy Innocents.
10 O cruor sanguinis, antiphon.
11 Cum vox sanguinis, hymn for Saint Ursula & her Companions.
12 Misc. instrumental Pieces associated with Hildegard recordings.
13 O virgo ecclesia, antiphon for the dedication of a church.
14 Nunc gaudeant materna, antiphon for the dedication of a church.
15 O orzchis ecclesia, antiphon for the dedication of a church.
Blessed Hildegard of Bingen (German: Hildegard von Bingen; Latin: Hildegardis Bingensis) (1098 -- 17 September 1179), also known as Saint Hildegard, and Sibyl of the Rhine, was a German writer, composer, philosopher, Christian mystic, Benedictine abbess, visionary, and polymath. Elected a magistra by her fellow nuns in 1136, she founded the monasteries of Rupertsberg in 1150 and Eibingen in 1165. One of her works as a composer, the Ordo Virtutum, is an early example of liturgical drama.
She wrote theological, botanical and medicinal texts, as well as letters, liturgical songs, poems, and arguably the oldest surviving morality play, while supervising brilliant miniature Illuminations.
Voice of the Living Light .
Hildegard of Bingen: healing and the nature of the cosmos.
01 O rubor sanguinis, antiphon for Saint Ursula & her companions.
02 Favus distillans, response for Saint Ursula & her companions.
03 Work(s).
04 Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions.
05 O ecclesia occuli tui, sequence for Saint Ursula & her Companions.
06 Misc. instrumental Pieces associated with Hildegard recordings.
07 O eterne Deus, antiphon.
08 O dulcissime amator, sinfonia for the virgins.
09 Rex noster promptus est, response for the Holy Innocents.
10 O cruor sanguinis, antiphon.
11 Cum vox sanguinis, hymn for Saint Ursula & her Companions.
12 Misc. instrumental Pieces associated with Hildegard recordings.
13 O virgo ecclesia, antiphon for the dedication of a church.
14 Nunc gaudeant materna, antiphon for the dedication of a church.
15 O orzchis ecclesia, antiphon for the dedication of a church.
Blessed Hildegard of Bingen (German: Hildegard von Bingen; Latin: Hildegardis Bingensis) (1098 -- 17 September 1179), also known as Saint Hildegard, and Sibyl of the Rhine, was a German writer, composer, philosopher, Christian mystic, Benedictine abbess, visionary, and polymath. Elected a magistra by her fellow nuns in 1136, she founded the monasteries of Rupertsberg in 1150 and Eibingen in 1165. One of her works as a composer, the Ordo Virtutum, is an early example of liturgical drama.
She wrote theological, botanical and medicinal texts, as well as letters, liturgical songs, poems, and arguably the oldest surviving morality play, while supervising brilliant miniature Illuminations.
- Música
o "In Matutinis Laudibus", de Pamela Dellal;Elizabeth Glen;Carol Schlaikjer;Sequentia;Barbara Thornton
o Edad Media –canto gregoriano femenino
o
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Hildegard von Bingen - Music and Visions-66 minutos
The Origin of Fire - Music and Visions of Hildegard von Bingen
1. Hymn: Veni Creator Spiritus
2. Sequence: Veni Spiritus Eternorum Alme
3. Antiphon: O Quam Mirabilis Est
4. Vision 1 "The Fire Of Creation": Et Ego Homus
5. Vision 1 "The Fire Of Creation": Et Audivi
6. Sequence: O Ignis Spiritus Paracliti
7. Vision 2 "Wisdom And Her Sisters": Vidi Etiam
8. Vision 2 "Wisdom And Her Sisters": Prima Autem
9. Responsory: O Felix Anima
10. Vision 3 "The Fiery Spirit": Iterumque Vocem
11. Vision 3 "The Fiery Spirit": Et Imago
12. Hymn: O Ignee Spiritus
13. Vision 4 "Love": In Vera
14. Vision 4 "Love": Et Audivi Vocem
15. Antiphon: Caritas Habundant In Omnia
16. Antiphon: O Eterne Deus
17. Hymn: Beata Nobis Gaudia
As a child, I often saw or felt 'entities' from other worlds. Many children report supersensory experiences and one such child was Hildegard von Bingen.
Hildegard of Bingen, (1098-1179) was born a tenth child to a German noble family. She was an influential and spiritual woman whose fierce devotion paved the way for future generations of women to succeed in fields from theology, to medicine, to music and art. At a very early age she claimed to experience supernatural visions of a powerful, transformative light, but she hid her prophetic abilities until much later in life. She was admitted into a convent at the age of eight, and was prepared for a life of hermetic devotion and meditation.
Although Hildegard was not formally educated, her desire to record her visions and messages into book form was undeterred. She relied on secretaries to help transcribe her ideas onto paper and was a prolific writer on topics of philosophy, herbal medicine, the natural world, and a noted composer of hauntingly beautiful chants.
Hildegard became a well-regarded authority and the Mother Superior of her convent. Around 1135, at age 42, she undertook a series of visionary symbolic paintings in unmistakable mandala-forms. While she did not make the illustrations herself, it is thought that she oversaw their production. These cosmic memories occur in myth and archetypes we readily recognize. The pictures were thought to be as strong or stronger than the words themselves. There is a gesltalt immediacy, what Hindu's refer to as darshan, meaning the simultaneous act of seeing and being seen by a deity.
She created a drawing, or illumination, in her manuscript Scivias (Know the Ways), circa 1140--50, of her defining vision, in which the great span of the universe revealed itself to her in a trance as "round and shadowy...pointed at the top, like an egg...its outermost layer of a bright fire."
Hildegard's visions led her to channel cosmic laws into illuminations and illustrate invisible concepts such as ethers, air, and wind. She assigns meaning to these elements to represent such virtues as atonement, righteousness, and moderation.
Central to her mandala paintings is the understanding of a 'cosmic equilibrium' and a reverence for all life. In her use of 'quartering of the circle' we recognize the four elements (fire, air, water and earth), an archetypal depiction also used by Native American sand painters for the four sacred directions. Her concept of Viriditas, the Greening, was a precursor to our ecology movement. She described this power as the agent of the God, a divine vitality, that was the animating life-force within all creation. This 'Greenness' was the very expression of Divine Power on Earth.
Anonymous 4 is a female a cappella quartet, based in New York City. Their main performance genre is medieval music, although they have also premiered works by living composers such as John Tavener and Steve Reich. The group currently comprises Marsha Genensky, Susan Hellauer, Ruth Cunningham, and Jacqueline Horner (Jacqueline Horner-Kwiatek in more recent listings, following a marriage in 2008). Two membership changes have occurred during the group's history. The original lineup included Johanna Maria Rose rather than Jacqueline Horner. In 1998, Ruth Cunningham left and was replaced by Jacqueline Horner. In 2008, Ruth Cunningham returned to the group in place of Johanna Maria Rose.
1. Hymn: Veni Creator Spiritus
2. Sequence: Veni Spiritus Eternorum Alme
3. Antiphon: O Quam Mirabilis Est
4. Vision 1 "The Fire Of Creation": Et Ego Homus
5. Vision 1 "The Fire Of Creation": Et Audivi
6. Sequence: O Ignis Spiritus Paracliti
7. Vision 2 "Wisdom And Her Sisters": Vidi Etiam
8. Vision 2 "Wisdom And Her Sisters": Prima Autem
9. Responsory: O Felix Anima
10. Vision 3 "The Fiery Spirit": Iterumque Vocem
11. Vision 3 "The Fiery Spirit": Et Imago
12. Hymn: O Ignee Spiritus
13. Vision 4 "Love": In Vera
14. Vision 4 "Love": Et Audivi Vocem
15. Antiphon: Caritas Habundant In Omnia
16. Antiphon: O Eterne Deus
17. Hymn: Beata Nobis Gaudia
As a child, I often saw or felt 'entities' from other worlds. Many children report supersensory experiences and one such child was Hildegard von Bingen.
Hildegard of Bingen, (1098-1179) was born a tenth child to a German noble family. She was an influential and spiritual woman whose fierce devotion paved the way for future generations of women to succeed in fields from theology, to medicine, to music and art. At a very early age she claimed to experience supernatural visions of a powerful, transformative light, but she hid her prophetic abilities until much later in life. She was admitted into a convent at the age of eight, and was prepared for a life of hermetic devotion and meditation.
Although Hildegard was not formally educated, her desire to record her visions and messages into book form was undeterred. She relied on secretaries to help transcribe her ideas onto paper and was a prolific writer on topics of philosophy, herbal medicine, the natural world, and a noted composer of hauntingly beautiful chants.
Hildegard became a well-regarded authority and the Mother Superior of her convent. Around 1135, at age 42, she undertook a series of visionary symbolic paintings in unmistakable mandala-forms. While she did not make the illustrations herself, it is thought that she oversaw their production. These cosmic memories occur in myth and archetypes we readily recognize. The pictures were thought to be as strong or stronger than the words themselves. There is a gesltalt immediacy, what Hindu's refer to as darshan, meaning the simultaneous act of seeing and being seen by a deity.
She created a drawing, or illumination, in her manuscript Scivias (Know the Ways), circa 1140--50, of her defining vision, in which the great span of the universe revealed itself to her in a trance as "round and shadowy...pointed at the top, like an egg...its outermost layer of a bright fire."
Hildegard's visions led her to channel cosmic laws into illuminations and illustrate invisible concepts such as ethers, air, and wind. She assigns meaning to these elements to represent such virtues as atonement, righteousness, and moderation.
Central to her mandala paintings is the understanding of a 'cosmic equilibrium' and a reverence for all life. In her use of 'quartering of the circle' we recognize the four elements (fire, air, water and earth), an archetypal depiction also used by Native American sand painters for the four sacred directions. Her concept of Viriditas, the Greening, was a precursor to our ecology movement. She described this power as the agent of the God, a divine vitality, that was the animating life-force within all creation. This 'Greenness' was the very expression of Divine Power on Earth.
Anonymous 4 is a female a cappella quartet, based in New York City. Their main performance genre is medieval music, although they have also premiered works by living composers such as John Tavener and Steve Reich. The group currently comprises Marsha Genensky, Susan Hellauer, Ruth Cunningham, and Jacqueline Horner (Jacqueline Horner-Kwiatek in more recent listings, following a marriage in 2008). Two membership changes have occurred during the group's history. The original lineup included Johanna Maria Rose rather than Jacqueline Horner. In 1998, Ruth Cunningham left and was replaced by Jacqueline Horner. In 2008, Ruth Cunningham returned to the group in place of Johanna Maria Rose.
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Hildegard von Bingen - Ordo Virtutum- hombres y mujeres cantan- 65 minutos
Publicado el 19 de dic. de 2012
Ordo Virtutum (Order of the Virtues) is an allegorical morality play composed about 1151 by Hildegard von Bingen.
The story tells about soul who, after having strived for a virtuous life, turns away from the
Virtues, is tempted and taken away by the Devil. Eventually the penitent soul returns and together with the personified Virtues, overcomes the Devil.
We know very little about either the occasion of the composition, or its performance. There is a theory, that through this story, Hildegard wanted to prevent a nun from her convent, who had been elected abbess of another monastery, from accepting that position and leaving her side, knowing from her visions that it would be a bad choice.
Some historians suspect a connection to the Rite for the Consecration of a Virgin, a ceremony for a novice who is supposed to dedicate her life to God. However, we do not even know for sure whether Ordo Virtutum was actually performed, not to mention whether -- if it was -- the piece was performed dramatically, how many people participated, whether there were instruments, if gestures were used ...
Thus, many questions about how to perform this drama remain unanswered. This leaves us the possibility to discover this fascinating piece from ever new, sometimes very different, perspectives.
Our performance took place in the Karthäuserkirche, Basel, Switzerland in October 2012
=======
The multinational cast from 15 different countries -
Virtutes:
Humilitas, (Innocentia): Regina Dahlen
Scientia dei, Contemptus mundi: Giovanna Baviera
Caritas: Julianna Svidró
Timor dei, Misericordia: Agnes Coakley
Obedientia, Verecundia, Patientia: Carolina Acuña
Fides, Amor caelestis: Mathilde Legrand
Spes, Discretio, (Victoria): Yukie Sato
Castitas, Victoria: Maria Weber
Disciplina: Ayelet Karni
Anima:
Hanna Marti
Diabolus:
Tiago Mota
Animae:
Anna Willerding, Charlotte Nachtsheim, Cristina Alís Raurich, Hiromi Bando,
Ingeborg Aadland, Rachel Heymans, Tabea Schwartz
Patriarchae et prophetae:
Ivo Haun, Jean-Christophe Groffe, Mathias Spoerry, Ozan Karagöz
Direction and organisation:
Hanna Marti
The story tells about soul who, after having strived for a virtuous life, turns away from the
Virtues, is tempted and taken away by the Devil. Eventually the penitent soul returns and together with the personified Virtues, overcomes the Devil.
We know very little about either the occasion of the composition, or its performance. There is a theory, that through this story, Hildegard wanted to prevent a nun from her convent, who had been elected abbess of another monastery, from accepting that position and leaving her side, knowing from her visions that it would be a bad choice.
Some historians suspect a connection to the Rite for the Consecration of a Virgin, a ceremony for a novice who is supposed to dedicate her life to God. However, we do not even know for sure whether Ordo Virtutum was actually performed, not to mention whether -- if it was -- the piece was performed dramatically, how many people participated, whether there were instruments, if gestures were used ...
Thus, many questions about how to perform this drama remain unanswered. This leaves us the possibility to discover this fascinating piece from ever new, sometimes very different, perspectives.
Our performance took place in the Karthäuserkirche, Basel, Switzerland in October 2012
=======
The multinational cast from 15 different countries -
Virtutes:
Humilitas, (Innocentia): Regina Dahlen
Scientia dei, Contemptus mundi: Giovanna Baviera
Caritas: Julianna Svidró
Timor dei, Misericordia: Agnes Coakley
Obedientia, Verecundia, Patientia: Carolina Acuña
Fides, Amor caelestis: Mathilde Legrand
Spes, Discretio, (Victoria): Yukie Sato
Castitas, Victoria: Maria Weber
Disciplina: Ayelet Karni
Anima:
Hanna Marti
Diabolus:
Tiago Mota
Animae:
Anna Willerding, Charlotte Nachtsheim, Cristina Alís Raurich, Hiromi Bando,
Ingeborg Aadland, Rachel Heymans, Tabea Schwartz
Patriarchae et prophetae:
Ivo Haun, Jean-Christophe Groffe, Mathias Spoerry, Ozan Karagöz
Direction and organisation:
Hanna Marti
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Hildegard von BINGEN - Ave generosa-4.43
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