Mostrando entradas con la etiqueta ORTODOXA. Mostrar todas las entradas
Mostrando entradas con la etiqueta ORTODOXA. Mostrar todas las entradas

jueves, 21 de agosto de 2014

CRISTIANO ORTODOXO GREGORIANO RUSO.SERBIA

Divna Ljubojevic i Melodi - Liturgija u manastiru Vavedenje 10.11.12.13.14.15.16.17.18-25-26 min
Música  de la liturgia ortodoxa  de Serbia
Publicado el 31/7/2012
10. Prozbena jektenija 03:01
11. Simvol vere 02:09
12. Kanon Evharistije 04:19
13. Dostojno jest (irmos) 03:22
14. Otce nas 02:06
15. Jedin svjat 00:48
16. Ne imami. Blagoslovi duse moja Gospoda 04:00
17. Blagosloven grjadijVidjehom svjet istinijDa ispolnatsj 02:04
18. Budi imja Gospodnje 03:48

Divna Ljubojevic was born in Belgrade in 1970.
Her remarkable voice was
first recognized in early childhood by Mother Agnija, Abbess of Vavedenje
Monastery. Believing that Divna's gift for singing should be nurtured and
guided, Mother Agnija, herself a singer of great talent and knowledge, invited
Divna to sing with the monastery choir. From age 10, Divna was tutored in the
ancient tradition of Orthodox chant. Mother Agniya and the sisters of
Vavedenje cherished and painstakingly preserved a musical style that
originated from the Karlovatz chants, as well as traditional Byzantine and
Russian modalities.

Divna later studied at Mokranjac Music School in Belgrade and earned a
music degree from the University of Novi Sad's Academy of Music. But it was
the sacred singing of the monastery choir that "caught" and kept her soul. As
Divna says, "This decision [to devote herself to sacred singing] can only be
made at a time when the being is still receptive, innocent, unshaped,
unsoiled. And it is when you keep such a disposition, you can go on singing
this repertoire all your life long, till the end."

Lycourgos Angelopoulos, director of the Byzantine Choir of Greece, has
hailed Divna as, "One of the purest voices I have ever heard."

At the age of 17, in 1988, Divna began conducting the Mokranjac Choir with
which she often sang in many European countries, including her native Serbia,
where she conducted the Easter Liturgy beneath the great dome of Saint Sava
Church in Vratchar (Belgrade). Between 1989 and 1991, she conducted the
Premiere Societe Chorale de Belgrade, serving as the youngest conductor of
this organization that was founded in 1853. Divna gave amazing performances
with the ensemble, especially in Greece at the Sacred Music Festival at
Delphi, Kardica and Kefalonia.

In 1991, Divna and her friends founded Melodi Ensemble. Melodi dedicates
itself to a repertoire of Orthodox sacred music, from the ancient monadic and
polyphonic Byzantine, Serbian, Bulgarian and Russian chant, to contemporary
works. The ensemble interprets these liturgical poems in Italian, French and
English. Melodi also performs Baroque opera excerpts from Purcell and Caccini.
The group has collaborated with opera soloists in Bazel, England, and Italy.
They have also performed with the Spezzatura Ensemble of England.

In 1997, with the help of Bishop Luka of France and Western Europe, Divna
founded a choir at St. Sava Church in Paris and began giving concerts of
Slavonic and Greek liturgical music in Brussels, Senlis and Paris.

As a teacher of choral music and solfeggio, Divna has won many music school
competitions. She has also taught choral music at the Amilly Musical Academy
(France), Netherlands and England. Her education is a testimony to her
capacity for assuming soprano solo roles within baroque, spiritual or
renaissance operas. With ease, she lends her voice to any type of lyrical
repertoire.

MELODI ENSEMBLE

Today, most of her time is spent surrounding "Melodi Ensemble's" artistic
activities which she founded with friends in 1991. This ensemble dedicates
itself to the sacred, spiritual, ancient and contemporary works."Melodi"
interprets the poems and chants in Italian, French and English, and Baroque
opera excerpts from Purcell and Caccini. The group collaborated with opera
soloists from Bazel, England, Italy and also with England's Spezzatura
Ensemble.

Since its debut under Edition Jade / Warner Music in 2003 , "Divna & Melodi"
gave performances in every European and French festivals like "Theatre de la
Ville de Paris""Folles Journee", "Festival Ile de France","La Vezere", "Les
Orientales","Auvers sur l'Oise","Abbey Royale de Fontevraud", "Festival de
Dijon", "Voix Melee", "Stimenn Voices", "Festival Stemmen", "Festival
Territorios de Sevilla", "Festival de Paques", "Viox Sacrees du Monde",
"Musiche dal Mondo","Abbey de Bomont", "Festival Musicat "and many more.
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The Lord's Lamentations -50.29 min
(Romanian Orthodox Church Chant) Rusia
Actualizado el 29/1/2011
Romanian Patriarchal Cathedral Choir "Tronos" performing "The Lord's Lamentations" (Jesus Christ's funeral service, held in the Romanian Orthodox Church, on the day of Holy Friday, before the great and Holy Feast of Pascha).
The text of the Lamentations may have been composed by St.Theodore
 the Studite (+ 826) himself. The melody is a different story. Initially it was a broader version, but the current one dates from the 18th century. In Greek, it is slightly different. The Russians don't sing the Lamentations, but instead read it.
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Agni Parthene - Valaam Brethren Choir-1.52 min
Actualizado el 5/3/2010
Hymn for Mother of God of St.Nectarius of Aegina in church-slavonic.
St.Sergius & Herman of Valaam church.
Valaam. Russia. 1998.
Album "The Northern Athos".
1995.
Musica ortodoxa  rusa- inicia campana sigue coro hombres
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Valaam Monastery Choir - Chants from Valaam (Full Album) Russia -70 min
Publicado el 2/3/2013
1. Behold the Bridgegroom comes at midnight - Midnight office 0:00
2. Have mercy on us, O Lord - Midnight office and Compline
2:15
3. All creation rejoices in Thee - Hymn to the Theotokos, Liturgy of St. Basil
4:30
4. Today the Virgin - Christmas Kontakion
6:23
5. Open to me the doors - Sunday matins post-gospel hymn (Leten)
8:02
6. Let my prayer arise - Great Prokeimenon, Presanctified Liturgy
12:20
7. Remain with us, O Lord of Hosts - Great Compline (Leten)
18:22
8. O Thou who coverest Thyself with Light - Apostikha, Holy Friday
25:23
9. The angel cried - Paschal Matins, 9th Ode
31:33
10. Christ is Risen - Paschal Troparion (Greek-Byzantine Chant)
33:19
11. Bless the Lord (Psalm 103/104)
35:30
12. Blessed is the Man (Psalms 1,2,3)
40:44
13. Stikheron to Ss. Sergius & Herman
43:51
14. Dogmatikon (Tone 5)
45:19
15. O Joyful Light
47:51
16. Having beheld Resurrection of Christ
50:27
17. Eighth Katavasia (Tone 4)
52:12
18. Magnificat (Irmos, Tone 3)
53:16
19. Great Doxology
57:22
20. Cherubic Hymn - Hymn during Great Entrance with gifts
1:02:27
21.
It is truly meet - Hymn to the Theotokos 1:08:05
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Russian Orthodox Choir Chanting Choral Vocal Top 10 Collection-49.10
Publicado el 9/3/2014
Russian Orthodox Choir Chanting Choral Vocal Top 10 Collection.
Русский православный хор. Orthodox Christian Choir Vocal Singing, Beautiful Melody, Beautiful Singing, Beautiful Choir Music, Orthodox Vocal Chanting, Angelic Choir, Angelic Voices, Angelic Choir, Angelic Singing. Best of Choral Singing, Russian Choir, Ukrainian Choir, Slavic Choir, Female Choir, Male Choir. Russian Christian Choir. Vocal Only, Voices Only, Singing Only, Melody Only, Not musical instruments. Vocal Masterpieces. Choral Masterpieces. Large Choir, Small Choir. Angelic Sounds. Spiritual Singing, Spiritual Chanting, Spiritual Choral Music, Spiritual Melody. Meditation Music, Meditation Melody, Soothing Music,

Musica- Lord have mrcy. USSR Ministry of Culture Chamber Choir
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lunes, 31 de marzo de 2014

KYRIE ELEISON- CANTO GREGORIANO-CRISTIANO-ANTAEUS - SANCTUS- ASHANA-AGNUS DEI -GARBAREK-KATHLEEN BATTLE-MERCEDES SOSA



KYRIE  ELEISON
Kyrie, eleison.
Kyrie, eleison.
Kyrie, eleison.

Christe, eleison.
Christe, eleison
Kyrie, eleison


GREGORIAN CHANT KYRIE ELEISON- 2.29 MINUTOS
DE LOS MONJES BENEDICTINOS DE SANTO DOMINGO DE SILOS
Del disco’ Missa VIII. De Angelis: Kyrie VIII, Modus V’
To learn more about Gregorian chant: http://en.wikipedia.org/wiki/Gregoria...

---- The album features some of the most popular Gregorian works, such as the magnificent "Messe des Anges", the beautiful Easter chant "Salve Festa Dies", the moving "Salve Regina", and the universal "Veni Creator"!
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GREGORIAN CHANT.KYRIE CHRISTE ELEISON. 2.32 MIN
KYRIE. ORDINARIUM MISSAE. 18, UNA DE LAS MAS POPULARES EN LA EDAD MEDIA
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KYRIE… ANGELIS CON NOTAS. 3.03 MINUTOS
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Kyrie eleison - Messe Catholique-3.10 MIN CORO NIÑOS
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Antaeus – Kyrie-5.03 min

Grecia. Tambor rítmico luego entra voz mujer kyrie eleison

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KYRIE. MERCEDES SOSA. MISA CRIOLLA- 5.02 MIN
Mercedes Sosa - Misa Criolla – con coro  Kyrie- 5-02 MIN
Señor ten  piedad de nosotros. Cristo ten piedad de nosotros

THE SONGS
Ariel Ramirez, who wrote the music, is one of the most talented musicians in the world. Every melody has the power to evoke emotions and feelings almost in a supernatural way. Plus, each song is an example of different styles within argentinean traditional music. Still, the entire opus belts out an incredible integrity that makes you look upon it as a whole.
THE VOICE
Mercedes Sosa: one of (if not the most) powerful voices on Earth. She recorded this album at 65! You have to listen to it at full volume, and you'll get thrills.
THE CHOIR- A perfect set of argentinean voices. They can easily handle the subtleties that this exceptional music requires.
THE ARRANGEMENTS- Whenever you first listen to this album, you will recognize an outstanding talent. The Misa Criolla was first recorded in the 1970's, and the man who plays the charango in this version is the same old man that did it 30 years ago. Everything was put together so that the result is utterly flawless.
La Misa Criolla es una obra musical para solistas, coro y orquesta, de naturaleza religiosa y folklórica, creada por el músico argentino Ariel Ramírez. Los textos litúrgicos fueron traducidos y adaptados por los sacerdotes Antonio Osvaldo Catena, Alejandro Mayol y Jesús Gabriel Segade. Considerada una de las obras cumbres de la música argentina. La obra fue inspirada por -y está dedicada a- dos monjas alemanas, Elisabeth y Regina Brückner, quienes durante el nazismo ayudaron con alimentos a los prisioneros de un campo de concentración.
Música -"Ramírez: Misa Criolla - original version Arr. of the choral parts by J.G. Segade - Agnus Dei (Estilo Pampeano)", de Mercedes Sosa

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Ariel Ramirez - Misa criolla – KYRIE .3.54 MIN
Zamba Quipildor
Lagun Onak
Jose Cura- percusión
Facundo Ramírez- dirige
Con tambor y coro

Señor ten piedad de nosotros, Cristo ten piedad de nosotros



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ROBERT GASS. KYRIE.10 MINUTOS
Se corta, la piesa original  dura 29 minutos..
Coro femenino bonito
Del disco COMPLETE ALBUMS
ALLELUIA
Chanted to Pachelbel’s Canon in D
KYRIE
Robert Gass & Wings of Song

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KYRIE ELEISON-   LIBANO  4.24 canta mujer

Esta composición de  de un compositor cristiano libanes llamado   Ziad Rahbani, hijo del famoso cantante Fairuz. Esta es una versión del canto griego que aun use usa en las iglesias orientales. Existen los cristianos árabes, los cristianos turcos y los cristianos sirios, en países  árabes musulmanes de la región que oran en sus lenguajes originales y también en su lenguaje materno.
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Ashana & Thomas Barquee ~Sanctus~-4.11 min- 
original amazon 10 min

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Agnus Dei. (Cordero de Dios) W.A.Mozart.San Pedro en Vaticano.- 7.51 min
Orquesta y coros filarmónica de Viena
Soprano- Kathleen Battle
Contralto. Trudeliese Schmidt
Tenor. Gosta Winbergh
Bajo. Ferrucio Furlanetto
Direccion Herbert Von Karajan

Publicado el 15/4/2012
El arte musical de W.A. Mozart llevado a su más alta expresión vocal, coral e instrumental, Agnus Dei desde San Pedro en Vaticano en una solemne celebración eucarística presidida por el Papa Juan Pablo II.

Misa de Coronación para órgano, coro, solistas y orquesta en do mayor (KV 317) es una obra sacra del repertorio clasicista compuesta por Wolfgang Amadeus Mozart. Se trata de la decimosexta misa escrita por Mozart.

Mozart escribió esta misa para las celebraciones de Pascua de 1779, y al igual que toda la música compuesta en este periodo muestra la nueva madurez del compositor. Parece ser que el sobrenombre de esta misa se debe a que se interpretó en Viena durante las celebraciones de la coronación del emperador Leopoldo II en 1791 o la del emperador Francisco II en 1792.

Fechada, pues, en marzo de 1779, se trata de una obra evolucionada y brillante, de orquestación eminentemente sinfónica y llena de mórbidas y bellas melodías. Especial referencia merece el Agnus Dei, que reaparecerá años más tarde en el aria "Dove sono", cantada por la Condesa de Almaviva en Las Bodas de Fígaro (1785-86), hecho que ha dado pábulo a considerar las obras religiosas de Mozart como eminentemente operísticas. El deseo de unidad y cohesión interna aparece explícito en el hecho de que Mozart emplee el mismo tema del Kyrie inicial para las palabras finales del texto litúrgico "Dona nobis pacem".

La misa está en la tonalidad de do mayor y escrita para solistas (soprano, alto, tenor y bajo), coro, órgano y orquesta: 2 oboes, 2 trompas, 2 trompetas, 3 trombones, timbales, violines I-II y bajos (violonchelos, contrabajos y fagotes).
  • Música
o    "Mozart: Mass In C, K.317 "Coronation" - 6. Agnus Dei", de Kathleen Battle


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Jan Garbarek & the Hilliard Ensemble –
 Agnus Dei -8.38 min
from the 1999 album 'Mnemosyne'. I do not hold any copyright to this video. To support the artist, please purchase the album depicted above.
  • Música
o    "Agnus Dei", de Jan Garbarek & The Hilliard Ensemble (iTuneseMusic)
  • Artista

o    Jan Garbarek saxoofon
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domingo, 23 de junio de 2013

MUSICA CANTO ARMENIA-KOMITAS VARDAPET-MONJE CRISTIANO-CANTOS



KOMITAS  VIARDAPET- MONJE MUSICOLOGO ARMENIO

ALBUM RECORDED IN PARIS 1912

1700TH ANNIVERSARY OF THE ADOPTION CHRISTIANITI OF ARMENIA

Komitas Vardapet (Soghomon Soghomonyan, 1869-1935). Komitas was an Armenian monk composer, choir leader, singer, music ethnologist, music pedagogue and musicologist, whose genius brought a renaissance to Armenian music at the turn of the 20th century. He was the founder of modern Armenian classical music.


Armenak Shahmuradyan - Christos Pataragyal (Komitas)-3.37 MIN   ALELUYA-BIEN

Composer: Komitas Vardapet
Performer: Armenak Shahmuradyan
Recorded in Paris, 1912


Armenak Shahmuradyan - "Kuzhn ara" and "Gna Gna" (Komitas)-3.12 con piano  y j aja ja –MELÓDICA-BIEN

Composer: Komitas Vardapet
Performer: Armenak Shahmuradyan
Recorded in Paris, 1912

http://www.youtube.com/watch?v=jQJe0RWrsqA

Komitas Vardapet - Biography -.8.56

Komitas Vardapet - Biography - (A video by fedcalmus).
http://www.komitas.am/eng/brief.htm

Join us
www.facebook.com/khachmeroug


Armenak Shahmuradyan - "Alagyaz" and "Khunki Tsar" (Komitas) 3.16 CON CUARTETO BIEN ALEGRE

Publicado el 29/01/2013

Composer: Komitas Vardapet
Performer: Armenak Shahmuradyan
Recorded in Paris, 1912


Armenak Shahmuradyan - Kele Kele (Komitas)-3.23 MIN

Composer: Komitas Vardapet
Performer: Armenak ShahmuradyanS
Recorded in Paris, 1912


Komitas Vardapet – Gutanerg-2.25 min-bien

Composer: Komitas Vardapet
Performer: Komitas Vardapet
Recorded in Paris, 1912


Armenak Shahmuradyan - Urakh Ler (Komitas)-2.43 CON ACOMPAÑAMIENTO- bien

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Armenak Shahmuradyan - Krunk (Komitas)-3.23 MIN




Komitas Vardapet - Mokats Mirza-2.11 min

Canta solo

Composer: Komitas Vardapet
Performer: Komitas Vardapet
Recorded in Paris, 1912


Komitas Vardapet – Havik-3.04

Canta solo


Komitas Vardapet - Kali Yerg-3.17 min


Komitas Vardapet - Arorn u Tatrake-3.19 bien

Composer: Komitas Vardapet
Performer: Komitas Vardapet
Recorded in Paris, 1912


Armenak Shahmuradyan - Hishestsuk i Gisherin (Komitas)- 3.17 CON CUARTETO BIEN MELODICO

Composer: Komitas Vardapet
Performer: Armenak Shahmuradyan
Recorded in Paris, 1912